Four groundbreaking authors from Biblioasis read from their work: Paige Cooper, Amanda Jernigan, Rachel Lebowitz, and Richard Sanger. Join them at Biblioasis at 7:30 PM on Friday, April 20th.
Windsor, this is our HOMETOWN BASH OF THE SEASON: Mark off your calendars and let's have a celebration!
ABOUT THE AUTHORS:
PAIGE COOPER was born and raised in the Rocky Mountains. Her stories have appeared in The Fiddlehead, West Branch, Michigan Quarterly Review, Gulf Coast Online, Canadian Notes & Queries, The New Quarterly, Minola Review, Cosmonauts Avenue, and have been anthologized in The Journey Prize Stories and Best Canadian Stories. She lives in Montreal.
AMANDA JERNIGAN is the author of two previous collections of poems, Groundwork and All the Daylight Hours, and of the chapbook The Temple, published by Baseline Press in 2018. Her poems have appeared in Poetry, Parnassus, PN Review, The Dark Horse, Atlanta Review, and The Nation, as well as in numerous Canadian literaries, and have been set to music, most recently by Zachary Wadsworth and Colin Labadie. She is an essayist and editor as well as a poet, and has written for the stage.
RACHEL LEBOWITZ the author of Hannus (Pedlar Press, 2006), was shortlisted for the 2007 Roderick Haig-Brown Regional Prize (BC Book Prize) and the Edna Staebler Award for Creative Non-Fiction. She is also the author of Cottonopolis (Pedlar Press, 2013) and the co-author, with Zachariah Wells, of the children’s picture book Anything But Hank! (Biblioasis, 2008, illustrated by Eric Orchard). She lives in Halifax, where she coordinates adult tutoring programs at her neighbourhood library.
RICHARD SANGER’s previous collections are Shadow Cabinet and Calling Home; his poems have appeared in many publications in Canada, the US and Britain, including the London Review of Books and Poetry Review. His plays include Not Spain, Two Words for Snow, Hannah’s Turn and Dive as well as translations of Calderon, Lope de Vega and Lorca. He has also published essays, reviews and journalism. He lives in Toronto.
ABOUT THE BOOKS:
ZOLITUDE (Paige Cooper)
Fantastical, magnetic, and harsh—these are the women in Paige Cooper’s debut short story collection Zolitude. They are women who built time machines when they were nine, who buy plane tickets for lovers who won’t arrive. They are sisters writhing with dreams, blasé about sex but beggared by love—while the police horses have talons and vengeance is wrought by eagles the size of airplanes. Broken down motorbikes and house broken tyrannosaurs, cheap cigarettes and jealous mail bombs—Cooper finds the beautiful and the disturbing in both the surreal and the everyday.
YEARS, MONTHS, AND DAYS (Amanda Jernigan)
A transfiguration of Mennonite hymns into heartbreaking lyric poems, Years, Months, and Days is a moving “meditation on the possibility of translation.” Bridging secular spirituality and holy reverence with the commonalities of life, death, love, and hope, Jernigan explores the connection between hymn and poem, recalling the spare beauty of Marilynne Robinson’s novels or the poems of Jan Zwicky and Robert Bringhurst. The sparse and tender phrasing of Years, Months, and Days is “an offering of words to music,” made in the spirit of a shared love — for life, for a particular landscape and its rhythms — that animates poem and prayer alike.
THE YEAR OF NO SUMMER (Rachel Lebowitz)
On April 10th, 1815, Indonesia's Mount Tambora erupted. The resulting build-up of ash in the stratosphere altered weather patterns and led, in 1816, to a year without summer. Instead, there were June snowstorms, food shortages, epidemics, inventions, and the proliferation of new cults and religious revivals. Hauntingly meaningful in today’s climate crisis, Lebowitz’s linked lyric essay collection charts the events and effects of that apocalyptic year. Weaving together history, mythology, and memoir, The Year of No Summer ruminates on weather, war, and our search for God and meaning in times of disaster.
DARK WOODS (Richard Sanger)
Snow, canoes, frozen ponds, lonely conifers…Dark Woods takes the motifs and landscape of Canadian childhood and examines their place in a world of smartphones and overflowing inboxes. The result, Sanger’s first book in 16 years, is a striking new collection that includes sonnets linked and stray, wordplay and slang, meditations on parenthood and the “cracks in the granite”: the urges that won’t go away, the people who have.