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Thunderegg/Trez Maschine


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This is the fourth stop on Thunderegg's April COSMOS Tour, and, incredibly enough, the Egg's first venture to the San Jose area. South Bay friends, please mark your calendars and come on out! This show coincides with recent studies that have conclusively proven that enjoying rock music on a Tuesday night can increase your life span by up to TWO HUNDRED YEARS. Come join us...and become the next-closest thing to immortal.

Half San Francisco, half Oakland, all rock, Thunderegg has recorded nearly 20 albums since 1994. Influenced by bands including the Velvet Underground, Neil Young and Crazy Horse, Teenage Fanclub, and the Boo Radleys, the Egg takes simple, melodic tunes with sharp lyrics and swirls them up with layers of guitars. Thunderegg's latest full-length is the 11-song space-bar-rock epic Cosmos, recorded by Alan Weatherhead (Sparklehorse, Magnolia Electric Co.) in Oakland and featuring the same Bay Area lineup that's on this tour (Alex Jimenez, bass; Reese Douglas, guitar; Andre Custodio, drums). Packaged in a deluxe gatefold and exploding with guitars, Cosmos is the Egg's deepest plunge yet into space, blending the usual clever lyrics, sweet melodies, and ragged rocking with a layered roar that begs to be blasted. The album drops May 11, 2018, on Bleeding Gold Records, but advance copies will be available on the tour—get yours while supplies last! www.thunderegg.org

Trez Maschine is a 3-Piece Punkadelic band from Northern California. They are fronted by two singer songwriters, guitarist/vocalist Gorden Mack and bassist/vocalist Brian Kenney, with Kyle Malone on drums. Each musician offering offering up their 25+ years of experience on their instrument(s). Mack first gained fame on 4AD records with the Band Red House Painters. During his tenure as lead guitarist, Red House Painters released 5 albums, took multiple tours across Europe and the USA, and became recognized as one of the most influential alt-rock bands of the '90s. Kenney is an aggressive "lead" bassist who mixes tapping, flamenco-like strumming, whammy bar bends, and slapping with clean tones, deep distortions, delays, and flangers to build a wall of sound that punches you in the gut. Kenney and Malone made their mark in the punk scene sharing stages with the likes Skanking Pickle, NOFX and Suicidal Tendencies.