Re-Imagine Theater in looking for a diverse group of actors to bring to life our 2018-2019 season - Re-Imagine Femininity: Defying Expectations.
Throughout the year we will explore the strengths and nuances of what it means to identify as a woman despite, and because of, societal expectations.
Audition to take place:
Thursday April 12th from 5-10pm and Saturday April 14th from 10am-5pm at 1 Louisa St. Providence, RI 02905.
Please prepare 2 monologues, one comedic and one dramatic, of no more than 1.5 minutes each. You may also be asked to do cold reads from the season.
Callbacks will take place May 12th from 10 to 3.
Email email@example.com for your 10 minute time slot!
ALL ROLES ARE AVAILABLE
Written by Aphra Behn
7 Women, 11 Men, 6 Unspecified
Dealing with the amorous adventures of a group of Englishmen in Naples at Carnival time. The "rover" of the play's title is Willmore, a rakish naval captain, who falls in love with a young woman named Hellena, who has set out to experience love before her brother sends her to a convent. Complications arise when Angellica Bianca, a famous courtesan, falls in love with Willmore and swears revengeon him for his betrayal. Meanwhile, Hellena's sister Florinda attempts to marry her true love, Colonel Belvile, rather than the man that her brother has selected for her. The third major plot of the play deals with the provincial Blunt, who becomes convinced that a girl has fallen in love with him, but is humiliated when she turns out to be a prostitute and a thief.
Women Who Weave
Written by J.S. Puller
4 Women, 2 Men
When the plucky, ambitious twelve-year-old Atalanta is excluded from the men's boar hunt, she is convinced that being female means giving up any chance at being heroic. But her mother comforts her with the stories of the Fates, the three goddesses who weave the destiny of all human beings. A skeptical Atalanta dozes off and drifts into a bizarre dream that carries her to the loom of the Fates, where she lives the stories of three great Greek heroines and discovers that heroism has more to do with the decisions we make than the fate we're born into.
Written by Wendy Wasserstein
5 Women, 3 Men
Comprised of a series of interrelated scenes, the play traces the coming of age of Heidi Holland, a successful art historian, as she tries to find her bearings in a rapidly changing world. Gradually distancing herself from her friends, she watches them move from the idealism and political radicalism of their college years through militant feminism and, eventually, back to the materialism that they had sought to reject in the first place. Heidi's own path to maturity involves an affair with the glib, arrogant Scoop Rosenbaum, a womanizing lawyer/publisher who eventually marries for money and position; a deeper but even more troubling relationship with a charming, witty young pediatrician, Peter Patrone, who turns out to be gay; and increasingly disturbing contacts with the other women, now much changed, who were a part of her childhood and college years. Eventually Heidi comes to accept the fact that liberation can be achieved only if one is true to oneself, with goals that come out of need rather than circumstance. As the play ends she is still "alone," but having adopted an orphaned baby, it is clear that she has begun to find a sense of fulfillment and continuity that may well continue to elude the others of her anxious, self-centered generation.
March (in rep with Heidi Chronicles)
Uncommon Women and Others
Written by Wendy Wasserstein
Comprised of a collage of interrelated scenes, the action begins with a reunion, six years after graduation, of five close friends and classmates at Mount Holyoke College. They compare notes on their activities since leaving school and then, in a series of flashbacks, we see them in their college days and learn of the events, some funny, some touching, some bitingly cynical, that helped to shape them. Each of the group is a distinct individual, and it is their varying reaction to the staid, sheltered and often anachronistic university environment (with its undercurrent of sometimes darker personal desires and conclusions) gives the play its special meaning for today's young women as they go forth into the changing and often disquieting world that awaits them after graduation.
Written by Lynn Nottage
4 Women, 2 Men
The time is 1905, the place New York City, where Esther, a black seamstress, lives in a boarding house for women and sews intimate apparel for clients who range from wealthy white patrons to prostitutes. Her skills and discretion are much in demand, and she has managed to stuff a goodly sum of money into her quilt over the years. One by one, the other denizens of the boarding house marry and move away, but Esther remains, lonely and longing for a husband and a future. Her plan is to find the right man and use the money she's saved to open a beauty parlor where black women will be treated as royally as the white women she sews for. By way of a mutual acquaintance, she begins to receive beautiful letters from a lonesome Caribbean man named George who is working on the Panama Canal. Being illiterate, Esther has one of her patrons respond to the letters, and over time the correspondence becomes increasingly intimate until George persuades her that they should marry, sight unseen. Meanwhile, Esther's heart seems to lie with the Hasidic shopkeeper from whom she buys cloth, and his heart with her, but the impossibility of the match is obvious to them both, and Esther consents to marry George. When George arrives in New York, however, he turns out not to be the man his letters painted him to be, and he absconds with Esther's savings, frittering it away on whores and liquor. Deeply wounded by the betrayal, but somehow unbroken, Esther returns to the boarding house determined to use her gifted hands and her sewing machine to refashion her dreams and make them anew from the whole cloth of her life's experiences.