The Cabin Project, made up of four Portland-based women, is an indie rock band whose sound stems from haunting choruses, three-part harmonies, pedals, synths and string sections. The songs are musically expansive, yet retain an intimacy similar to that of The National, Warpaint and Bon Iver.
Born in an attic "cabin" studio lined with Douglas Fir, the band started as a project of Katie Sawicki, a former-folksinger from Brooklyn who became inspired by electric guitars, keys, synthesizers, and balancing all three onstage.
After moving to the Pacific Northwest in 2008, Sawicki sought out musicians to collaborate with, leading her to musical partner Zanny Geffel, an orchestral drummer, rooted in jazz and percussion, with a preponderance for poetry and onstage mayhem. Rebekah Hanson, Jean Mastaler and Kelly Clifton create the band’s strings and bass section.
"Like their name suggests, the band’s sound is reminiscent of the kind of intimate space created by artists like Bon Iver. The group uses traditional orchestral and choral methods to create a track that is inexplicably modern, heavy, and pop at the same time." - American Songwriter
“…impressively educated string section with octave pedals and vocal harmonies to create music that’s both intimate and otherwordly.” – Bitch Magazine
It's been six years since the release of her well-received debut album ...this side of yesterday, but next month marks the return of indie-folk singer/songwriter Martha Berner with her long-awaited full-length follow-up Fool's Fanatsy along with her new band the Significant Others.
The entire album was recorded at Chicago’s premiere digital recording studio Stranded On A Planet with producer & Significant Others' guitarist Scott Fritz, and was mastered by four-time Grammy Award winner Gavin Lurssen (Robert Plant & Alison Krauss, Cat Power, Tom Waits, Leonard Cohen, etc). While this new material still incorporates the Chicago-based musician's trademark whiskey-and-honey vocals and thought-provoking subjects that stretch across folk, pop and Americana, Fool’s Fantasy marks Martha's first true band effort - incorporating elements of Stax soul, insurgent country and the unbridled passion of late ‘60s rock-n-roll.
HERE'S WHAT PEOPLE HAVE BEEN SAYING ABOUT MARTHA BERNER:
"Think Natalie Merchant with fewer adult contemporary leanings or Aimee Mann on a folkier trip. Berner's voice can thicken and thin like Joni Mitchell's and it's unmistakably her greatest asset" - MAGNET
"One of indie's finest talents.” - TORONTO METRO
“Dramatic, heartfelt and an unusual musical versatility.” - NASHVILLE CITY PAPER
“Undeniable vocal talent fused with country sensibilities. With a burning alt. country feel... well, Dylan would have nodded his approval.” - WHISPERIN & HOLLERIN / UK
“Martha's live shows are revelatory.” - CHICAGOIST
"Heartfelt and wry acoustic folk-rock, that also showcases some fun detours with a full band, including a retro power-pop number.” - MADISON CAPITAL TIMES
“A moody, experimental album that hits all the right notes; at once wry, melancholy and celebratory of life's smallest revelatory moments - like grabbing a beer for breakfast.” - OUT MAGAZINE
“When Chicago's Martha Berner sings that her heart is breaking into 'ten tiny little pieces' on the titular track of her four-song Ten Tiny Little Pieces E.P. you can practically feel your own heart breaking along with hers. And just as you've used up all the tissues in the house to dry your eyes, Berner puts the sun into “Sunday Morning,” a spirited cover of the Velvet Underground classic. Somewhere between these two numbers Berner elevates the mood on 'Down and Out in San Francisco' and eventually breaks through to pop perfection on 'Wait For Me.'” - CHICAGO FREE PRESS
“While tales of frustration, loss and weary introspection heavily dot Martha Berner's songs, they don't overwhelm the Chicago singer's gentle rootsy delivery. Her lyrics are mature and direct, and her melodies would hold up just fine even without the tasteful string and keyboard accents.” - THE ONION'S AV CLUB
"Sensitive and literate folk-pop.” - GAPERS BLOCK / CHICAGO
“You can't help but be moved by Berner's Ten Tiny Little Pieces EP which includes the emotionally charged title track, as well as a compelling cover of The Velvet Underground & Nico's 1967 pop classic “Sunday Morning.” Still, to see is to believe.” - CITYVIEW / DES MOINES
“Berner's indie folk-pop benefits from full, well-thought-out arrangements that at times have a George Martin feel. This is a brief EP, but it gives a fair sampling of how Berner uses her burnished contralto to shade a lyric with hope, resignation and sadness.” - ISTHMUS / MADISON
“Phenomenal. Martha has a powerful voice that is at the same time both serene and aggressive. This disc radiates with love.” - ROOTSTIME / BELGIUM
"Berner lashes together the twang of folk/country, the burn of alternative country and the punch of indie rock.” - CINCINNATI CITY BEAT
“Evokes the vocals of Tori Amos and the musical style of Wilco.” - THE CHICAGO TRIBUNE
"Radio-friendly hooks and melodies…” - ARIZONA DAILY STAR
“A very solid disc with tunes that are peppy, poppy and deliciously sad ...has its own distinct hook, with seemingly very little effort.” - Richard Milne /WXRT RADIO
“…Wilco-esque glow with the sweetly sung vocals of Natalie Merchant and the darker guitars and imagery of the Indigo Girls.” - HEARSAY MAGAZINE
“Americana Folk at its Best.” - TOURING THE INDIES
“Martha has a great, rich voice that speaks the poetry of angels… haunting, beautiful and powerful.” - READ MAGAZINE
“…unveils soothing vocals, folk-flavored guitars, and witty songwriting across ten compelling cuts.” - ILLINOIS ENTERTAINER
“Hip and beautiful… influenced by her experiences in travel, stylistically by Natalie Merchant, Bob Dylan and John Lennon.” - WOMENFOLK
"A pure Sunday morning sound. Soft vocals, acoustic guitars and deep emotion pour throughout this disc... truly amazing!” - INDEPENDENTS ONLY