Terri Hendrix is a pioneering independent Texas songwriter who spins sorrow into joy and wrings wisdom from the blues with a poetic grace and engaging melodic flair that has endeared her to three generations of loyal fans around the globe. A classically trained vocalist and accomplished multi-instrumentalist (guitar, mandolin, and harmonica) recently recognized by “Acoustic Guitar” Magazine as one of Texas’ 20 essential contemporary singer-songwriters, she is also one of its most prolific — having averaged nearly an album a year going all the way back to her 1996 debut, “Two Dollar Shoes.” To date, every one of her albums has been released on her own Wilory Records label, making Hendrix the rare artist who has owned all of her master recordings from day one. That autonomy has allowed her the freedom to dodge musical pigeonholes her entire career by weaving folk, pop, country, blues and swinging jazz into an eclectic style all her own — a playful mix that makes for a highly energetic and spiritually uplifting live show in any setting, from intimate listening rooms and theaters to outdoor festivals. Along the way, she’s also co-written a Grammy-winning instrumental (the Dixie Chicks’ “Lil’ Jack Slade”), and garnered such honors as a star on the South Texas Music Walk of Fame, the Art of Peace Award by Saint Mary’s University in San Antonio, the Distinguished Alumni Award at Hardin-Simmons University in Abilene, and a 2015 induction into the Women’s Hall of Fame in San Marcos, Texas. Now well into her third decade as a performing artist, Hendrix is currently in the midst of running a “sonic marathon” she calls “Project 5,” which by the time she finishes it will comprise four thematically-linked albums and a memoir. The first album, an intimate folk record called “Love You Strong,” was released in February 2016; it was followed in October by “The Slaughterhouse Sessions,” a politically charged collection of acoustic gospel blues. The next two albums — an electronica EP called “Who Is Ann?” and an eclectic singer-songwriter full-length called “Talk to a Human” — are both due out 2018. Last but not least will be the book, a deeply personal account of Hendrix’s lifelong battle with epilepsy and the path she’s braved to wellness. In addition to all of this (and teaching workshops, like her annual “Life’s a Song” retreat in the fall), Hendrix is also hard at work building a nonprofit creative center for the arts serving the greater San Marcos area and beyond. It’s called the OYOU, an acronym for “Own Your Own Universe” — words that this free-spirited, self-made woman has lived and thrived by her entire adult life.
Long before Dixie Chicks were even full-grown, Lloyd Maines (father of Dixie Chick Natalie Maines) had established himself as a country music giant, both as a legendary steel guitarist and a producer. Maines studied forestry while attending college at Texas Tech and hoped to join the parks department. Nevertheless, after landing a job at a local studio, his future was set.
Maines' pedal steel work seems to crop up everywhere, from work by earlier non-mainstream country artists such as Joe Ely and Terry Allen to '90s efforts by alt-country upstarts as Uncle Tupelo, Wilco, Richard Buckner, and Wagon. Perhaps more importantly, he has carved out a career as a sought-after producer. He started his producing career in 1978 in a big way: with Terry Allen's Lubbock (On Everything), an album that has gathered immense critical momentum as time has passed, and which stands as a seminal work by the Lubbock songwriter crowd. Over the years, he has helmed albums by sometime Flatlanders Butch Hancock and Jimmie Dale Gilmore. He has also produced for such artists as Andy Wilkinson, Jerry Jeff Walker, Will T. Massey, George Ensle, Jimmy Collins, Lost Gonzo Band, Charlie Robison, Ray Wylie Hubbard, Richard Buckner, Wayne Hancock, and Robert Earl Keen.
In the meantime, he has also laid down steel for folks such as Guy Clark, David Byrne, Dixie Chicks, and Radney Foster. He also remained involved with the Maines Brothers Band, a band with his siblings Kenny, Donnie, and Steve. The group released eight albums between 1978 and 1991.
Born in Austin during a summertime heat wave, she arrived in this world
smoking and she has never cooled off. Her mom, who still lives in Austin,
bought marina her first guitar and she played it till her little kid
fingers bled- and then she played it some more!