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Thursday
31
MAY

Hauptsache Sie Schiessen Nicht – Samo Da Ne Pucaju

20:30
22:30
Studio Я
Event organized by Studio Я

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*please scroll down for English version*

Studio Я | stagediving | auf Bosnisch und Deutsch mit deutschen und englischen Übertiteln
HAUPTSACHE SIE SCHIESSEN NICHT – SAMO DA NE PUCAJU
Premiere am 3/Mai in Zenica sowie am 5/Mai in Sarajevo
Ein Projekt von Vernesa Berbo und Moritz Sauer Text und Regie Moritz Sauer
Raum und Kostüme Stephanie Zurstegge Dramaturgie Jasmina Musić, Mazlum Nergiz Choreografische Beratung Modjgan Hashemian
Mit Vernesa Berbo und Susanne Meyer

Stimmen des Krieges und des Landes, das daraus hervorgegangen ist: Was bedeuten den Bosnier*innen Schuld, Rache und Sühne? Obwohl niemand gerne Opfer in der Gegenwart ist, wären viele gerne Opfer in der Vergangenheit gewesen. Wann und wie ist das Sprechen über das Erlebte möglich, nötig und richtig?

Wir lachen ständig ist ein Projekt von Vernesa Berbo & Moritz Sauer, koproduziert vom Studio Я / Maxim Gorki Theater in Kooperation mit dem International Theater Festival MESS/Scene MESS, wird gefördert durch Szenenwechsel, einem Programm der Robert Bosch Stiftung und des Internationalen Theaterinstituts (ITI), die Senatsverwaltung für Kultur und Europa vom Land Berlin und die Heinrich-Böll-Stiftung Bosnien und Herzegowina.

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*english*

Studio Я | stagediving | in Bosnian and German with German and English surtitles
HAUPTSACHE SIE SCHIESSEN NICHT – SAMO DA NE PUCAJU
Premiere at 3/May in Zenica also at 5/May in Sarajevo
A Project by Vernesa Berbo and Moritz Sauer
Text and Direction Moritz Sauer Stage and Costumes Stephanie Zurstegge Dramaturgy Jasmina Musić, Mazlum Nergiz Choreografische Beratung Modjgan Hashemian
With Vernesa Berbo and Susanne Meyer


It is cold in Germany but in Bosnia, in Bosnia it is colder, but it’s not the weather. The green expanse of this land stands out in all its colours. It burns if you try to see further, that’s why one often keeps one’s eyes down.

It was supposed to be a hunt. That’s why one was on the lookout, met secretly with informants in dark corners or tried tocall Radovan Karadžić’s daughter in the Republika Srpska Parliament. Her number is actually listed in the phone book. That was the plan. At the end of their trip through Bosnia, however, Vernesa Berbo, Moritz Sauer and Stephanie Zurstegge hadn’t spoken with the children of the war criminals of the Bosnian war from 1992 to 1995. On their trip in autumn 2017, they listened much more to the »perfectly normal« people, survivors of the conflict, because »the other« normal people, the perpetrators, unfortunately they don’t speak to one at all. In Hauptsache sie schießen nicht – Samo da ne pucaju (As long as they don't shoot) they gather the voices of the war and the country that arose from it. What do guilt, revenge and atonement mean to the Bosnians? Although no one wants to be a victim in the present, many would like to have been victims in the past. When and how is it possible, necessary and correct to talk about what happened, and – how do I tell my children? What remains true when one creates oneself and others through stories and not through facts?

A Project from Vernesa Berbo and Moritz Sauer, coproduced by Studio Я / Maxim Gorki Theater in cooperation with the International Theater Festival MESS/Scene MESS, promoted by Szenenwechsel, a programm of the Robert Bosch Stiftung and the Internationalen Theaterinstituts (ITI), as well the Berliner Senatsverwaltung für Kultur und Europa and the Heinrich-Böll-Stiftung Bosnien and Herzegowina

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Studio Я